PSL: Black Sabbath: Into the Void

[C]

My top ten:

Paranoid
Sabbath, Bloody Sabbath
Black Sabbath
Volume 4
Master of Reality
Sabotage
Heaven and Hell
Mob Rules
Technical Ecstasy
Born Again

i like this list. i dewwwww

Nice list. One surprise - The Gillan one...!




.

[kath]

more oooooooooooooooooooooooooooooofdom and ooooooooooooooferyyyy

[Spock!]

"And you're right!"

mwhhahahaa

"Not 'arf" as Fluff would say



.

Doob! Should have used that myself.





Both Fluff and Peel below Alexis Korner for me, but all three excellent purveyors of music.

[kath]

i love that lil end to sabbra cadabra mwhahaha

[LMG]

i think fluff is beautiful

Yes - no filler there!

A delight

Back to the riff machine

Rick Wakeman guesting (was in the next studio recording Topographic Oceans)

kath: Fluff named after BBC radio disc jockey Alan "Fluff" Freeman who was one of the few radio folk in Britain to play Sabbath's music on-air.

I loved Fluff Freeman much more than John Peel







.

Imagine having YOUR NAME on a Sabbath track.

You would never feel sad depressed or low again.

"What's that Sabbath track that's all about drunken fighting, debauched sex, and annoying the neighbours with loud music?"
"You mean 'LMG/Doobs' ? Yeah, it's a monster track!"

[kath]

killllling yerselfff to lllivvve

damnnnnnnnn

[kath]

i think fluff is beautiful

Yes - no filler there!

A delight

Back to the riff machine

Rick Wakeman guesting (was in the next studio recording Topographic Oceans)

kath: Fluff named after BBC radio disc jockey Alan "Fluff" Freeman who was one of the few radio folk in Britain to play Sabbath's music on-air.

I loved Fluff Freeman much more than John Peel







.

Imagine having YOUR NAME on a Sabbath track.

You would never feel sad depressed or low again.

"What's that Sabbath track that's all about drunken fighting, debauched sex, and annoying the neighbours with loud music?"
"You mean 'LMG/Doobs' ? Yeah, it's a monster track"

mwhahahahaaaa

[Spock!]

"What's that Sabbath track that's all about drunken fighting, debauched sex, and annoying the neighbours with loud music?"
"You mean 'LMG/Doobs' ? Yeah, it's a monster track!"

[kath]

they change it up all the damn time

[C]

Killing Yourself to Live - great title- it probably sums up Ozzy state of mind at the time who himself admits was 'unravelling'

Monster riffs with an awesome bass line

The first time I saw Sabbath was on the same bill as Jethro Tull and Ten Years After - London Lyceum

ten shillings (10/-) 50 pence post decimalisation!

Early 1971

[I'm sure you've heard that story and the Phil Lynott hit. Sorry ]




x






.

[Spock!]

That was a corker.

[kath]

Killing Yourself to Live - great title- it probably sums up Ozzy state of mind at the time who himself admits was 'unravelling'

Monster riffs with an awesome bass line

The first time I saw Sabbath was on the same bill as Jethro Tull and Ten Years After - London Lyceum

ten shillings (10/-) 50 pence post decimalisation!

Early 1971

[I'm sure you've heard that story and the Phil Lynott hit. Sorry ]




x






.

stories are meant to keep being told, i say

[pcqgod]

I love how they were never content to stick with one main riff per song, and were always changing the feel, the riff, the volume at different points in a song. Very prog of them.

[C]

more oooooooooooooooooooooooooooooofdom and ooooooooooooooferyyyy

You're not wrong girl!!

Monster solos!





.

[kath]

That was a corker.

yes indeed

[pcqgod]

And speaking of prog....

[kath]

I love how they were never content to stick with one main riff per song, and were always changing the feel, the riff, the volume at different points in a song. Very prog of them.

yep exactly, and i love it so much about em.

[Spock!]

Killing Yourself to Live - great title- it probably sums up Ozzy state of mind at the time who himself admits was 'unravelling'

Monster riffs with an awesome bass line

The first time I saw Sabbath was on the same bill as Jethro Tull and Ten Years After - London Lyceum

ten shillings (10/-) 50 pence post decimalisation!

Early 1971

[I'm sure you've heard that story and the Phil Lynott hit. Sorry ]




x






.

I was almost certainly getting one shilling a week pocket money in '71!

[C]

I love how they were never content to stick with one main riff per song, and were always changing the feel, the riff, the volume at different points in a song. Very prog of them.

Spot on.

That's what put them above all the rest for me

[and by 'rest' you can pick who you like!]





.

[Spock!]

I love how they were never content to stick with one main riff per song, and were always changing the feel, the riff, the volume at different points in a song. Very prog of them.

You tell it like it is.