NP
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REAP CORNER
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Santa C
- Robust
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REAP CORNER
(Page 566 onwards)
NP
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NP
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Last edited by Santa C on 06 Mar 2024, 16:05, edited 702 times in total.
LMG wrote:If more of the trickier/complex jazzers in the sixties had made records this lush and inviting, the more inventive side of jazz might have caught on.
Kenny G may never have happened.
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quix
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Re: Prog Corner (page 565 onwards)
prog is dead.
long live prog!!!!!!!!!!!!!!!!
long live prog!!!!!!!!!!!!!!!!
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ConnyOlivetti
- Probing The Sonic Heritage
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Re: Prog Corner (page 565 onwards)
ok, here we go!
Charlie O. wrote:I think Coan and Googa are right.
Un enfant dans electronica!
Je suis!
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Bungo the Mungo
Re: Prog Corner (page 565 onwards)
[youtube]<object width="480" height="385"><param name="movie" value="http://www.youtube.com/v/Y7GeZ3YmONw&hl=en_US&fs=1"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/Y7GeZ3YmONw&hl=en_US&fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"></embed></object>[/youtube]
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Snarfyguy
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Re: Prog Corner (page 565 onwards)
Received in the mail yesterday:
Looking forward to giving it a spin this evening.
Looking forward to giving it a spin this evening.
GoogaMooga wrote: The further away from home you go, the greater the risk of getting stuck there.
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Santa C
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Re: Prog Corner (page 565 onwards)
Snarfyguy wrote:Received in the mail yesterday:
Looking forward to giving it a spin this evening.
It is superb!
I think it has the edge on the first
Are you going to join us for The Hats' synch listen tonight Chris....?
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LMG wrote:If more of the trickier/complex jazzers in the sixties had made records this lush and inviting, the more inventive side of jazz might have caught on.
Kenny G may never have happened.
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Santa C
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Re: Prog Corner (page 565 onwards)
NP
Don't write this gem off as being no comparison to the first because that would be unfounded
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Don't write this gem off as being no comparison to the first because that would be unfounded
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LMG wrote:If more of the trickier/complex jazzers in the sixties had made records this lush and inviting, the more inventive side of jazz might have caught on.
Kenny G may never have happened.
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Aybe Sea
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Re: Prog Corner (page 565 onwards)
NP
Their best ?
I think so
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Their best ?
I think so
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Snarfyguy
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Re: Prog Corner (page 565 onwards)
Carlsson wrote:Are you going to join us for The Hats' synch listen tonight Chris....?
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Sorry, we're going out of town for the weekend, so I'll be on the road this evening.
But I hope you enjoy it.
GoogaMooga wrote: The further away from home you go, the greater the risk of getting stuck there.
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Santa C
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Re: Prog Corner (page 565 onwards)
Snarfyguy wrote:Sorry, we're going out of town for the weekend, so I'll be on the road this evening.
We will dedicate it to you my dear friend
We will dedicate it to you
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LMG wrote:If more of the trickier/complex jazzers in the sixties had made records this lush and inviting, the more inventive side of jazz might have caught on.
Kenny G may never have happened.
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Snarfyguy
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Re: Prog Corner (page 565 onwards)
(prog joke alert)
Because I won't be listening.
Carlsson wrote:We will dedicate it to you
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Because I won't be listening.
GoogaMooga wrote: The further away from home you go, the greater the risk of getting stuck there.
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Santa C
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Re: Prog Corner (page 565 onwards)
Snarfyguy wrote:Carlsson wrote:We will dedicate it to you
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Because I won't be listening.
A quote from some bloody punk band I assume....?!
LMG wrote:If more of the trickier/complex jazzers in the sixties had made records this lush and inviting, the more inventive side of jazz might have caught on.
Kenny G may never have happened.
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Santa C
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Re: Prog Corner (page 565 onwards)
NP
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LMG wrote:If more of the trickier/complex jazzers in the sixties had made records this lush and inviting, the more inventive side of jazz might have caught on.
Kenny G may never have happened.
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purgatory brite
Re: Prog Corner (page 565 onwards)
I've given this album a few listens, and have to say I'm rather disappointed with it. I much prefer the 3 man line up album Danger Money.
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Jeff Cunt
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Re: Prog Corner (page 565 onwards)
NP
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C wrote:Never/Ever, is always posting up modern, derivative clap-trap nonsense
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Santa C
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Re: Prog Corner (page 565 onwards)
Purgatory Brite wrote:
I've given this album a few listens, and have to say I'm rather disappointed with it.
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It is not so accessible
Stick with it my esteemed friend
Stick with it
Holdsworth/Bruford- one can't go wrong
Can one?
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LMG wrote:If more of the trickier/complex jazzers in the sixties had made records this lush and inviting, the more inventive side of jazz might have caught on.
Kenny G may never have happened.
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Snarfyguy
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Re: Prog Corner (page 565 onwards)
I think Danger Money is a big improvement too.
I don't actually like Holdsmith anyway. Too busy/fussy/fast.
I don't actually like Holdsmith anyway. Too busy/fussy/fast.
GoogaMooga wrote: The further away from home you go, the greater the risk of getting stuck there.
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Santa C
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Re: Prog Corner (page 565 onwards)
Snarfyguy wrote:I don't actually like Holdsmith anyway. Too busy/fussy/fast.
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LMG wrote:If more of the trickier/complex jazzers in the sixties had made records this lush and inviting, the more inventive side of jazz might have caught on.
Kenny G may never have happened.
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Snarfyguy
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Re: Prog Corner (page 565 onwards)
I'm not joking. He's just not any fun!
GoogaMooga wrote: The further away from home you go, the greater the risk of getting stuck there.
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Buckfast
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Re: Prog Corner (page 565 onwards)
NP
Avoid at ones peril
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The third and final record by the progressive rock trio U.K. was recorded during a 1979 concert in Japan, although it was not released until after the group disbanded; by this time the group featured bassist and lead vocalist John Wetton with ex-Zappa sidemen Eddie Jobson (keyboards and electric violin) and drummer Terry Bozzio. "Night After Night" serves a driving opener, followed by "Rendezvous 6:02," primarily a feature for Jobson's keyboard wizardry. The instrumental "Alaska" is a bit bombastic on the scale of Emerson, Lake & Palmer, though the hard-rocking "In the Dead of Night" makes up for it. Jobson switches to violin for the high-energy closer, "Caesar's Palace Blues" (which is not actually a blues). This is easily the best of U.K.'s rather small discography.
Avoid at ones peril
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