PSLs: Jethro Tull/Black Sabbath - oooof!

[kath]

when did you first hear this c? did it blow you across the room? mwhahaa

[C]

Tremendous bass guitar throughout

Awesome



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[Spock!]

Believe most of their songs at this stage came from jamming, have to think that they were playing around with Sunshine of Your Love to come up with much of this gem. Love the almost Spanish tinge that is juxtaposed with the main riff section.

[kath]

Still my fave album although Paranoid comes close




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i have major issyews choosing my fave sabbath. it's trewwwww

go awnnn gweeetar!!!

[kath]

Believe most of their songs at this stage came from jamming, have to think that they were playing around with Sunshine of Your Love to come up with much of this gem. Love the almost Spanish tinge that is juxtaposed with the main riff section.

you can hear the jamming thing behind this, trulyyyyy

[kath]

so much riffage, it is amazinggggg

[C]

when did you first hear this c? did it blow you across the room? mwhahaa

I bought it in March 1970 around my birthday - it had just been released

It blew me away!

I saw them live with Ten Years After and Jethro Tull a few months later

Incredible - I sat chatting to Phil Lynott for about 20 minutes - he told me he was a big Tull fan

oooooof!




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[C]

Evil woman don’t you play your games with me




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[kath]

when did you first hear this c? did it blow you across the room? mwhahaa

I bought it in March 1970 around my birthday

It blew me away!

I saw them live with Ten Years After and Jethro Tull a few months later

Incredible - I sat chatting to Phil Lynott for about 20 minutes - he told me he was a big Tull fan

oooooof!




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oooooooooooof!!!

dayummmmm that must've been a show.

i brought home master of reality from the record shop one day.

and it didst blow me away. record shop dude told me it would, mwhahaa

[Spock!]

when did you first hear this c? did it blow you across the room? mwhahaa

I bought it in March 1970 around my birthday - it had just been released

It blew me away!

I saw them live with Ten Years After and Jethro Tull a few months later

Incredible - I sat chatting to Phil Lynott for about 20 minutes - he told me he was a big Tull fan

oooooof!




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Was Phil at the TYA gig? Lovely to have had the chance to chat with him.

[kath]

start with the haunting pickery and effects

[kath]

when did you first hear this c? did it blow you across the room? mwhahaa

I bought it in March 1970 around my birthday - it had just been released

It blew me away!

I saw them live with Ten Years After and Jethro Tull a few months later

Incredible - I sat chatting to Phil Lynott for about 20 minutes - he told me he was a big Tull fan

oooooof!




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Was Phil at the TYA gig? Lovely to have had the chance to chat with him.

it is luvvvly, and it doesn't surprise me at all that phil was a big tull fan.

p.s. sorry i missed the tull. sniff. i got invaded pre-birthday.

[Spock!]

Loving Tony playing against and with himself.

[kath]

excellent percussivity

hyperbpuncebouncebounce

[C]

The cover photograph was shot at Mapledurham Watermill, situated on the River Thames in Oxfordshire, England, by photographer Keith Stuart Macmillan (credited as Keef), who was in charge of the overall design. Standing in front of the watermill is a figure dressed in a black cloak, portrayed by model Louisa Livingstone, whose identity was not widely known until 2020. "I'm sure (McMillan) said it was for Black Sabbath, but I don't know if that meant anything much to me at the time," Livingstone recalled, adding that it had been "freezing cold" during the shoot. "I had to get up at about 4 o'clock in the morning. Keith was rushing around with dry ice, throwing it into the water. It didn't seem to be working very well, so he ended up using a smoke machine," she said.

According to McMillan, Livingstone was wearing nothing underneath the black cloak, and some experimentation was done involving some "slightly more risqué" photographs taken at the session. "We decided none of that worked," McMillan said. "Any kind of sexuality took away from the more foreboding mood. But she was a terrific model. She had amazing courage and understanding of what I was trying to do."


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[kath]

Loving Tony playing against and with himself.

mwhahahahaa yes!

[kath]

The cover photograph was shot at Mapledurham Watermill, situated on the River Thames in Oxfordshire, England, by photographer Keith Stuart Macmillan (credited as Keef), who was in charge of the overall design. Standing in front of the watermill is a figure dressed in a black cloak, portrayed by model Louisa Livingstone, whose identity was not widely known until 2020. "I'm sure (McMillan) said it was for Black Sabbath, but I don't know if that meant anything much to me at the time," Livingstone recalled, adding that it had been "freezing cold" during the shoot. "I had to get up at about 4 o'clock in the morning. Keith was rushing around with dry ice, throwing it into the water. It didn't seem to be working very well, so he ended up using a smoke machine," she said.

According to McMillan, Livingstone was wearing nothing underneath the black cloak, and some experimentation was done involving some "slightly more risqué" photographs taken at the session. "We decided none of that worked," McMillan said. "Any kind of sexuality took away from the more foreboding mood. But she was a terrific model. She had amazing courage and understanding of what I was trying to do."


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i love this!!

[kath]

damn that heavy bass underneath

[kath]

they give ya a sticker when ya vote.

mine is a crawfish in a tuxedo, sayin "i voted". gotta love new orleans mwhahaaa

[C]

i brought home master of reality from the record shop one day.

and it didst blow me away. record shop dude told me it would, mwhahaa

A tremendous kath



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