The Godfather Thread
MICHAEL
(pause)
...tell me, when Pop had troubles...did he ever think, even to himself, that he had gone the wrong way; that maybe by trying to be strong and trying to protect his family,that he could... that he could... lose it instead?
MAMA
(Sicilian)
You talk about the baby. She can have another baby.
MICHAEL
(Sicilian)
No, I meant lose his family.
MAMA
(confused)
Your family? How can you ever lose your family?
MICHAEL
(half spoken)
But times are different...
(pause)
...tell me, when Pop had troubles...did he ever think, even to himself, that he had gone the wrong way; that maybe by trying to be strong and trying to protect his family,that he could... that he could... lose it instead?
MAMA
(Sicilian)
You talk about the baby. She can have another baby.
MICHAEL
(Sicilian)
No, I meant lose his family.
MAMA
(confused)
Your family? How can you ever lose your family?
MICHAEL
(half spoken)
But times are different...
Matt Wilson wrote:
EDIT: Has anyone ever noticed that the actor who plays the bodyguard "Al Neri" (I think he's in all three films) is also with Pacino in the earlier Panic in Needle Park? He has a much bigger role as Al's brother and he speaks with a thick, New Yawk accent. I wonder if Pacino was instrumental in getting that guy the (non-speaking) reoccuring role in the Godfathers.
Didn't he die recently in strange circumstances?
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Wolfie the Jackal wrote:MICHAEL
(pause)
...tell me, when Pop had troubles...did he ever think, even to himself, that he had gone the wrong way; that maybe by trying to be strong and trying to protect his family,that he could... that he could... lose it instead?
MAMA
(Sicilian)
You talk about the baby. She can have another baby.
MICHAEL
(Sicilian)
No, I meant lose his family.
MAMA
(confused)
Your family? How can you ever lose your family?
MICHAEL
(half spoken)
But times are different...
Nice job Wolfie.
That's what I consider to be the most important bit of dialogue in the whole saga. I always wondered if anyone else found it as moving.
“Remember I have said good things about benevolent despots before.” - Jimbo
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Matt Wilson wrote:Your accusation of a lack of a strong female is beside the point. It's a male-driven story. If you hold the lack of female characters thing against it then you're going to have a problem with a lot of art--not just films but novels, paintings, etc.
When you watch a movie like Steel Magnolias do you bemoan the lack of a strong male lead? How about certain Bible stories? The list could go on and on...
Hmmm... now you got me thinking. damnit.
It's weird that a film like Lawrence of Arabia had not one female in it and yet it's probably my favorite film. Maybe it's the sense of accomplishment, self-consciousness and atheistic morality that can make me forgive the shallowness of the male ego. One thing about me though is that the male species of humans for the most part disgusts me. It can be argued that most of the world problems are created by men.
So I guess what I'm saying is that I have a hard time watching a film glorifying and wallowing in some of the more disgusting traits men at times project and usually seem to find so damn fascinating. It's always been an ongoing struggle of mine in objectively watching stuff like this and finding entertainment value for myself. Some say I need to 'lighten up' and maybe I do.
Anywhoo, I'll let you gents get back to worshipping all the maleness.
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Sneelock wrote:I'll bet I've seen 'Steel Magnolias' as much as anybody here!!!
I like different swear words and I like different movies. female crime movies and male weepies are fun but rare. most crime movies I like could be accused of being 'male' that's the way it goes.
The thing that keeps popping into my head since my last post is 'atheistic morality'. I always have a hard time taking any religious redemption theme seriously in anything.
Crime movies are interesting because the good ones have characters that know what they are doing is bad. They don't project their anger or fear of judgement on anyone but themselves and they certainly don't ask God for forgiveness or to be 'shown the way'. That seems foreign to me. I don't get it. And when I see it in films, I have a hard time empathizing with the protagonist.
But whatever. I should probably leave this topic alone, but I do realize it's a reason why I don't like a lot of movies that many people seem to love.
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davey the fat boy wrote:Jeemo wrote:Michael has no heart to balance his actions. Vito looked after the local people, Michael ignored the problems that Frankie P and Willie Chi Chi were having in Godfather ll because it didnt tie in with his plans.
In fact Michael was a sell out to money and power. Although in 3 he did try to redeem himself
Hmmm... I imagine Vito could be pretty ruthless to get where he was. He advises Michael to do much of what happens. Besides - I think Michael has heart in his way. He is always motivated by the desire to protect those he loves and cleanse the family name. On the other hand, both you and the RGP made a similar observation about Vito helping the local people (or 'building his empire from the ground up") - this seems important. Vito built up a profound resevoir of loyalty around himself. He was part of a community. Michael was profoundly isolated.
In the opening scene, just after the monologue above - Vito refuses to take money from the guy. All he asks is friendship and the promise of a service he may never even collect on. Vito may have been a crook, but he likely stole from everyone but his community. He lived the ethos of "don't shit where you eat." Michael wasn't even part of his community. Just as most of us don't know our neighbors any more.
I'm not sure that "community" provides the entire answer, but it seems to be a huge part of it. The natural question that follows is: Could Michael have done things any different and survived, or was he forced into his isolation?
Don't forget, Michael was effectively born into the isolation. Sometime during his childhood the family moved into the compound. He probably never had the same links to the community his father did.
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Re: The Godfather Thread
davey the fat boy wrote:Vito Corleone was feared but loved. Michael Corleone was hated.
I suppose this is true. But is it?
take5_d_shorterer wrote:If John Bonham simply didn't listen to enough Tommy Johnson or Blind Willie Mctell, that's his doing.
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The Godfather might've been elevated above its status as a stunted male circle jerk had a real director taken it. To wit: TERRENCE MALICK.
Last edited by BARON CORNY DOG on 02 Feb 2007, 21:25, edited 2 times in total.
take5_d_shorterer wrote:If John Bonham simply didn't listen to enough Tommy Johnson or Blind Willie Mctell, that's his doing.
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I'll see your dare and, in a slight breach of protocol, proceed directly to the double dog dare!
http://www.blackcatbone.34sp.com/phpBB2 ... 29#1480629
http://www.blackcatbone.34sp.com/phpBB2 ... 29#1480629
Last edited by Sneelock on 02 Feb 2007, 21:25, edited 1 time in total.
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