New now reading

in reality, all of this has been a total load of old bollocks
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clive gash
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Re: New now reading

Postby clive gash » 22 Sep 2017, 09:41

It takes a big man to cry, but it takes a bigger man to laugh at that man.

Diamond Dog wrote:...it quite clearly hit the target with you and your nonce...

...a multitude of innuendo and hearsay...

...I'm producing facts here...

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Darkness_Fish
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Re: New now reading

Postby Darkness_Fish » 22 Sep 2017, 10:09

neville from norwich wrote:
Darkness_Fish wrote:Image


Helped me get a low score on Pointless yesterday, cheers!

Was the topic Japanese Authors, by any chance? Good book, too, I preferred it to the more celebrated Remains of the Day.
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clive gash
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Re: New now reading

Postby clive gash » 22 Sep 2017, 10:18

Not quite as highbrow as that - novels with words ending in "-ing" missing from the titles.

An Artist of the ------ World
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Diamond Dog wrote:...it quite clearly hit the target with you and your nonce...

...a multitude of innuendo and hearsay...

...I'm producing facts here...

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Re: New now reading

Postby Darkness_Fish » 22 Sep 2017, 21:27

Image

Just picked it up in the charity book bit of Tesco. Never read any Ray Bradbury before.
Like fast-moving clouds casting shadows against a hillside, the melody-loop shuddered with a sense of the sublime, the awful unknowable majesty of the world.

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clive gash
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Re: New now reading

Postby clive gash » 24 Sep 2017, 08:53

Slouching towards Biloxi: Joan Didion on life in America's south

https://www.theguardian.com/books/2017/ ... h-and-west
It takes a big man to cry, but it takes a bigger man to laugh at that man.

Diamond Dog wrote:...it quite clearly hit the target with you and your nonce...

...a multitude of innuendo and hearsay...

...I'm producing facts here...

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Re: New now reading

Postby KeithPratt » 26 Sep 2017, 10:04

Image

I can only read one of this series a year because they are so intense, but in that time I'm utterly gripped by him.

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Re: New now reading

Postby clive gash » 27 Sep 2017, 16:14

Image
It takes a big man to cry, but it takes a bigger man to laugh at that man.

Diamond Dog wrote:...it quite clearly hit the target with you and your nonce...

...a multitude of innuendo and hearsay...

...I'm producing facts here...

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Re: New now reading

Postby naughty boy » 28 Sep 2017, 21:44

Image

Loving it.
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Re: New now reading

Postby echolalia » 28 Sep 2017, 23:33

neville from norwich wrote:Image

Liking it?

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Re: New now reading

Postby clive gash » 29 Sep 2017, 10:15

I think so. I’m reading it like poetry, each paragraph parsed three times at about ten words a minute. I wish I’d taken more notice at school.
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Diamond Dog wrote:...it quite clearly hit the target with you and your nonce...

...a multitude of innuendo and hearsay...

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Re: New now reading

Postby Darkness_Fish » 29 Sep 2017, 15:00

Image
Like fast-moving clouds casting shadows against a hillside, the melody-loop shuddered with a sense of the sublime, the awful unknowable majesty of the world.

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driftin
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Re: New now reading

Postby driftin » 29 Sep 2017, 16:27

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Started reading this last night so eventually I can feel superior to the people who haven't read it when the film comes out.

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Re: New now reading

Postby Penk! » 29 Sep 2017, 18:58

I didn't know there was a film. The book trilogy was very good. I just looked the film up and - unlike most adaptations - it looks quite promising based on the cast and director (Garland's previous effort, Ex Machina, was a very good low-key brainy sci-fi).
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Re: New now reading

Postby Robert » 30 Sep 2017, 22:57

Darkness_Fish wrote:Image

Just picked it up in the charity book bit of Tesco. Never read any Ray Bradbury before.


I love practicalky all of Bradbury- but it's at least
20 years ago I read any of his books. The Martian Chronicles beat Fahrenheit 451 though.

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Re: New now reading

Postby clive gash » 06 Oct 2017, 11:21

So, Ishiguro then.

His best?
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Re: New now reading

Postby Darkness_Fish » 07 Oct 2017, 20:43

neville from norwich wrote:So, Ishiguro then.

His best?

I've only read Remains of the Day, An Artist of the Floating World, and Never Let Me Go. I was fairly nonplussed by RotD, it's a very reserved, slow and cautious tale about a slow, reserved and cautious man. I was waiting for the inevitable twist to really bring about an emotional wrench of some significance, but it never really came, in my view.

Never Let Me Go is similarly reserved and cautious in its approach, which seems to be very much the hallmark of Ishiguro's writing. His work feels defiantly pre-war in style. But this book was really powerful I thought, in the way the crushingly bleak future that each child faces is just dropped casually, occasionally into the narrative. It's a sci-fi that doesn't revolve around a reveal so much as a slow tearing away. This is the one I'd recommend, although it does get accused of plagiarism quite often, it seems that the theme might not be as unique as I believed.

Btw, Rateyourmusic's literature board had a bit of discussion about him recently, which might be of interest. I actually go there more for that board more than the music board, which is a bit inane. https://rateyourmusic.com/board_message ... id=6787734
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Re: New now reading

Postby Snarfyguy » 09 Oct 2017, 19:54

Image

Funny stuff!
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Re: New now reading

Postby Darkness_Fish » 11 Oct 2017, 09:25

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Feels very Sunday night TV. A bit dull.
Like fast-moving clouds casting shadows against a hillside, the melody-loop shuddered with a sense of the sublime, the awful unknowable majesty of the world.

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clive gash
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Re: New now reading

Postby clive gash » 12 Oct 2017, 12:14

It takes a big man to cry, but it takes a bigger man to laugh at that man.

Diamond Dog wrote:...it quite clearly hit the target with you and your nonce...

...a multitude of innuendo and hearsay...

...I'm producing facts here...

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echolalia
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Re: New now reading

Postby echolalia » 12 Oct 2017, 16:56

^ I'd like to see that. "Only on netflix" - does that mean... yes, I suppose it does.


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