Laurel & Hardy vs. The Marx Bros.
- king feeb
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Hard to choose, but I ultimately went with the Marx Brothers. Duck Soup, Coconuts and Animal Crackers... all classics and still funny as ever today.
I also liked W.C. Fields. A nasty miserable old fuck, but funny as Hell especially when I'm in a cranky mood myself. The Bank Dick is a riot.
I still like the Three Stooges, but I consider them to be almost surreal now, like Roadrunner cartoons. They're like Theatre of Cruelty or something. I don't find them funny at all, but there's something weirdly fascinating about them.
I also liked W.C. Fields. A nasty miserable old fuck, but funny as Hell especially when I'm in a cranky mood myself. The Bank Dick is a riot.
I still like the Three Stooges, but I consider them to be almost surreal now, like Roadrunner cartoons. They're like Theatre of Cruelty or something. I don't find them funny at all, but there's something weirdly fascinating about them.
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Marx Brothers for me. Smarter, zanier, more quotable. I grew up on them and the stooges...laurel and hardy never really seeped in until i was grown.
at any rate, Duck Soup is the trump card for this poll.
at any rate, Duck Soup is the trump card for this poll.
Let U be the set of all united sets, K be the set of the kids and D be the set of things divided.
Then it follows that ∀ k ∈ K: K ∈ U ⇒ k ∉ D
Then it follows that ∀ k ∈ K: K ∈ U ⇒ k ∉ D
Corporal Moddie! wrote:king feeb wrote:I also liked W.C. Fields. A nasty miserable old fuck, but funny as Hell especially when I'm in a cranky mood myself. The Bank Dick is a riot.
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I love the blind man in a china shop one. Its his sheer irrascibility that makes it.
Me too. 'It's A Gift'. And there are a couple of other features I remember seeing as a kid that were packed with surreal ideas and were very funny - 'International House' I think was one. Maybe that's the one where he falls out of an airplane into a brewery - something like that. Difficult to find, these days - there's nothing available on DVD in the UK.
The 'Carl La Fong' scene in 'It's A Gift' is one of the funniest scenes in the history of cinema. I saw it again a few weeks ago and had problems breathing for a few seconds. Fantastic.
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Well for me, it's obviously Laurel and Hardy, don't think anyone else comes close, in terms of making me laugh so much.
Stuck on one of the dvd's in the box set last nite, the 'Someone's Ailing' one, forgot how funny 'They Go Boom' was, i was pissing myself so much, even at such daft things as when Stan opened the cupboard door smack bang into his face, i knew it was coming, i still laughed my ass off, a really great short of their's
Stuck on one of the dvd's in the box set last nite, the 'Someone's Ailing' one, forgot how funny 'They Go Boom' was, i was pissing myself so much, even at such daft things as when Stan opened the cupboard door smack bang into his face, i knew it was coming, i still laughed my ass off, a really great short of their's
"A child of five would understand this. Send someone to fetch a child of five."
Groucho Marx
Groucho Marx
Interestingly there seems something of a US/Uk divide here, with the British vote largely going to Stan and Ollie and the American vote going to the Marx Bros.
Many of the US brigade have said they associate The Marx Bros with growing up and that they don't know L & H as well. For me it's the opposite, it was L& H who were on British tv all the time as a kid, I never watched The Marx Bros back then.
Many of the US brigade have said they associate The Marx Bros with growing up and that they don't know L & H as well. For me it's the opposite, it was L& H who were on British tv all the time as a kid, I never watched The Marx Bros back then.
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Sir John Coan wrote:Me too. 'It's A Gift'. And there are a couple of other features I remember seeing as a kid that were packed with surreal ideas and were very funny - 'International House' I think was one. Maybe that's the one where he falls out of an airplane into a brewery - something like that.
Well said. He's only in the second half of that film, but once he makes his entrance he owns the film totally. He elevates it from being merely fairly good to something quite marvellous. His last feature, Never Give A Sucker An Even Break, was pretty staggering as well when I saw it. If you had to retire from filmmaking, you'd want your last film to be that good.
pcqgod wrote:I like how Liebling progresses from a rotting, animated corpse living in his parents' basement to a slightly more life-affirming walking corpse by the end of the movie.
Goat Boy wrote:I recall a midget with large tits dancing.
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Corporal Moddie! wrote:Interestingly there seems something of a US/Uk divide here, with the British vote largely going to Stan and Ollie and the American vote going to the Marx Bros.
Many of the US brigade have said they associate The Marx Bros with growing up and that they don't know L & H as well. For me it's the opposite, it was L& H who were on British tv all the time as a kid, I never watched The Marx Bros back then.
I saw them both on TV a lot growing up. I don't think Laurel and Hardy were obscure in the least here in the states. There is no question that the Marx Brothers had more impact though - at least back in those days.
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davey the fat boy wrote:Corporal Moddie! wrote:Interestingly there seems something of a US/Uk divide here, with the British vote largely going to Stan and Ollie and the American vote going to the Marx Bros.
Many of the US brigade have said they associate The Marx Bros with growing up and that they don't know L & H as well. For me it's the opposite, it was L& H who were on British tv all the time as a kid, I never watched The Marx Bros back then.
I saw them both on TV a lot growing up. I don't think Laurel and Hardy were obscure in the least here in the states. There is no question that the Marx Brothers had more impact though - at least back in those days.
My girlfriend is 26 and from New York and educated and broad-minded and all that, and until I showed her Busy Bodies, she'd never heard of Laurel and Hardy.
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The only problem I have with the Mark Brothers is that Groucho is the only genius of the group. I've always found the other two (and no, I don't know Zepetto at all) one joke characters. Groucho on the other hand has gags coming out of every pore when he's on form.
No, Stan and Ollie every time. It's the interplay between the two and Ollie's look to camera every time Stan fucks up. Cracks me up every time!
No, Stan and Ollie every time. It's the interplay between the two and Ollie's look to camera every time Stan fucks up. Cracks me up every time!
If it's me and yer granny on bongos, it's still The Fall
jimjim wrote:The only problem I have with the Mark Brothers is that Groucho is the only genius of the group. I've always found the other two (and no, I don't know Zepetto at all) one joke characters. Groucho on the other hand has gags coming out of every pore when he's on form.
No, Stan and Ollie every time. It's the interplay between the two and Ollie's look to camera every time Stan fucks up. Cracks me up every time!
It is absolutely priceless. And the man was the king of the double take!
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Sir John Coan wrote:davey the fat boy wrote:Corporal Moddie! wrote:Interestingly there seems something of a US/Uk divide here, with the British vote largely going to Stan and Ollie and the American vote going to the Marx Bros.
Many of the US brigade have said they associate The Marx Bros with growing up and that they don't know L & H as well. For me it's the opposite, it was L& H who were on British tv all the time as a kid, I never watched The Marx Bros back then.
I saw them both on TV a lot growing up. I don't think Laurel and Hardy were obscure in the least here in the states. There is no question that the Marx Brothers had more impact though - at least back in those days.
My girlfriend is 26 and from New York and educated and broad-minded and all that, and until I showed her Busy Bodies, she'd never heard of Laurel and Hardy.
I can see where that could happen. I'm 42. When I was a kid they used to play those films a lot - I assume because they provided inexpensive programming. By the time your girlfriend was growing up, I'm pretty sure they were aired a lot less often. My wife is about 6 years younger than I am and she doesn't remember seeing them all that much either.
Too bad. Great stuff.
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Corporal Moddie! wrote:Interestingly there seems something of a US/Uk divide here, with the British vote largely going to Stan and Ollie and the American vote going to the Marx Bros.
Many of the US brigade have said they associate The Marx Bros with growing up and that they don't know L & H as well. For me it's the opposite, it was L& H who were on British tv all the time as a kid, I never watched The Marx Bros back then.
That is interesting. Perhaps the work of these teams is the film equivalent of what we call "comfort food" and what we especially like about it is its reassuring familiarity.
In any case, although I love them both, I'll choose The Marx Brothers. Both acts are hilarious and ingenious, but The Marx Brothers featured subversion, a crucial extra ingredient that pushes them out front.
I can't stand the Three Stooges, though. I find nothing funny about their schtick.
I liked Abbott & Cotello as a kid. One of the local non-network TV stations would show an A&C movie at 11:30 every Sunday morning and I'd always be there. Not sure how much I care about them now, though.
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moleskin wrote:Jeemo wrote:Stan & Ollie for me
Comedy Gold
I want one!
Me too!
I was looking at this thing of beauty only this weekend, but as a man who's currently not earning I couldn't justify it to myself. And even if I could have, I wouldn't have been able to justify it to Mrs The Driver.
He's a simpleton. 200 years ago they wouldn't have let him milk a cow.