...or is that a too general thing to have favorite one?
I like the long shot of one person with no dialogue and they express whatever they have to through their facial expressions.
Do You Have A Favourite Camera Shot...
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Dr Markus
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Do You Have A Favourite Camera Shot...
Drama Queenie wrote:You are a chauvinist of the quaintest kind. About as threatening as Jack Duckworth, you are a harmless relic of that cherished era when things were 'different'. Now get back to drawing a moustache on that page three model
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The Modernist
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Re: Do You Have A Favourite Camera Shot...
Pedants corner: It's actually a long take rather than long shot (which refers to camera distance). If it was a long shot you wouldn't be able to see their facial expression! 
It does depend on the film really. No shot is, of itself, intrinsically satisfying.
That said I, am a fan of the use of dutch tilts in film noir. The Third Man being the classic example:
It does depend on the film really. No shot is, of itself, intrinsically satisfying.
That said I, am a fan of the use of dutch tilts in film noir. The Third Man being the classic example:
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Dr Markus
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Re: Do You Have A Favourite Camera Shot...
The Modernist wrote:Pedants corner: It's actually a long take rather than long shot (which refers to camera distance). If it was a long shot you wouldn't be able to see their facial expression!
You are 100% correct.
wankerDrama Queenie wrote:You are a chauvinist of the quaintest kind. About as threatening as Jack Duckworth, you are a harmless relic of that cherished era when things were 'different'. Now get back to drawing a moustache on that page three model