REAP CORNER

[C]

NP



All welcome



.

[C]

NP



I was there

Of course




.

[purgatory brite]

[Tent Peg]

NP










.

[C]

NP



Robust?

Seminal?

I think so





.

[Slim]

NP

























































































Not really.

[never/ever]

Wow. The circle finally was broken then.
Amazingly sad it had to come to this.
But incredibly funny that Prog Corner has rocked the very foundation of this society to its core.
No punk thread even could match that!


NP:

Earth & Fire- Song Of The Marching Children.
Dutch bliss.

[C]

NP

I saw them on the John Peel show a few times - pretty mediocre I'd say

I agree with this review from AMG:

Review by Richie Unterberger
There was a lot of talent involved in the making of Cochise's debut album. Guitarist Mick Grabham went on to play in Procol Harum; bassist Rick Wills would later join Foreigner; B.J. Cole would be an in-demand pedal steel player on many sessions over the next few decades; drummer Willie Wilson would play with Pink Floyd; Dick Taylor, who'd just left the Pretty Things, produced; and Storm Thorgerson of Hipgnosis (famous for working on Pink Floyd LP covers) designed a striking and, for the period, daring cover of a woman's unadorned breasts. The credits on a résumé don't always guarantee an outstanding album, however, and Cochise is one of those '60s-turning-into-'70s records that treads an uneasy line between eclectic diversity and a lack of direction. It's so-so period 1970 British rock, distinguished just slightly by a more country-ish flavor than the norm, courtesy of Cole's pedal steel. It's not country-rock, however, and some of the songs in fact owe little or nothing to the form. Numbers like "Painted Lady" and "Moment and the End" are tense, meandering hard rock tunes; the latter cut, in fact (as well as sections of some others, like "Velvet Mountain") sounds kind of like late-'60s/early-'70s Guess Who LP filler. There's a wistful rural feel to parts of the material that suggests some promise, but that mood's shattered by an unnecessary, pedestrian heavy rock cover of Simon & Garfunkel's "59th Street Bridge Song."

.

[T2]

NP




And very robust it is too




.

[ConnyOlivetti]

NP
deutch version of cource


beauty perfected

[jimboo]

Perfection made beautiful.

[Jeff K]

Perfection made beautiful.

I may have bumped this up to my favorite Kraftwerk release after I brought the newly remastered edition of Radio-Activity last year.

[jimboo]

It took me a while too realise just how good a record it really is. Their finest hour.

[The PROG Nazi]

NP




And very robust it is too



.

[ConnyOlivetti]

It took me a while too realise just how good a record it really is. Their finest hour.

could well be so,
but for me they are all very good
all in their own way, going through the different phases of Kraftwerk

[C]

Perfection made beautiful.

I may have bumped this up to my favorite Kraftwerk release after I brought the newly remastered edition of Radio-Activity last year.

Indeed their best.

After Ralf & Florian








.

[Aybe Sea]

NP





Broad church




.

[C]

NP







.

[Nothing after '74]

NP








.

[Jeff K]