PROG CORNER

[Carlsson]

(Page 566 onwards)


NP







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[quix]

prog is dead.










long live prog!!!!!!!!!!!!!!!!

[ConnyOlivetti]

ok, here we go!

[Bungo the Mungo]

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[Snarfyguy]

Received in the mail yesterday:



Looking forward to giving it a spin this evening.

[Carlsson]

Received in the mail yesterday:



Looking forward to giving it a spin this evening.

It is superb!

I think it has the edge on the first

Are you going to join us for The Hats' synch listen tonight Chris....?




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[Carlsson]

NP



Don't write this gem off as being no comparison to the first because that would be unfounded





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[Aybe Sea]

NP




Their best ?


I think so





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[Snarfyguy]

Are you going to join us for The Hats' synch listen tonight Chris....?
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Sorry, we're going out of town for the weekend, so I'll be on the road this evening.

But I hope you enjoy it.

[Carlsson]

Sorry, we're going out of town for the weekend, so I'll be on the road this evening.

We will dedicate it to you my dear friend

We will dedicate it to you







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[Snarfyguy]

(prog joke alert)

We will dedicate it to you
.

Because I won't be listening.

[Carlsson]

We will dedicate it to you
.

Because I won't be listening.

A quote from some bloody punk band I assume....?!

[Carlsson]

NP








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[purgatory brite]

I've given this album a few listens, and have to say I'm rather disappointed with it. I much prefer the 3 man line up album Danger Money.

[Jeff Cunt]

NP













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[Carlsson]

I've given this album a few listens, and have to say I'm rather disappointed with it.





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It is not so accessible

Stick with it my esteemed friend

Stick with it


Holdsworth/Bruford- one can't go wrong

Can one?




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[Snarfyguy]

I think Danger Money is a big improvement too.

I don't actually like Holdsmith anyway. Too busy/fussy/fast.

[Carlsson]

I don't actually like Holdsmith anyway. Too busy/fussy/fast.

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[Snarfyguy]

I'm not joking. He's just not any fun!

[Buckfast]

NP

The third and final record by the progressive rock trio U.K. was recorded during a 1979 concert in Japan, although it was not released until after the group disbanded; by this time the group featured bassist and lead vocalist John Wetton with ex-Zappa sidemen Eddie Jobson (keyboards and electric violin) and drummer Terry Bozzio. "Night After Night" serves a driving opener, followed by "Rendezvous 6:02," primarily a feature for Jobson's keyboard wizardry. The instrumental "Alaska" is a bit bombastic on the scale of Emerson, Lake & Palmer, though the hard-rocking "In the Dead of Night" makes up for it. Jobson switches to violin for the high-energy closer, "Caesar's Palace Blues" (which is not actually a blues). This is easily the best of U.K.'s rather small discography.

Avoid at ones peril




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