Davey the Fat Boy wrote:
Of course there is. It’s just repetitive...which is a strength.
And right there, the whole ridiculousness of this stance , unravels.
Davey the Fat Boy wrote:
Of course there is. It’s just repetitive...which is a strength.
jimboo wrote:Davey the Fat Boy wrote:
Of course there is. It’s just repetitive...which is a strength.
And right there, the whole ridiculousness of this stance , unravels.
jimboo wrote:Davey the Fat Boy wrote:
Of course there is. It’s just repetitive...which is a strength.
And right there, the whole ridiculousness of this stance , unravels.
Jimbo wrote:I guess I am over Graham Nash's politics. Hopelessly naive by the standards I've molded for myself these days.
Davey the Fat Boy wrote:Folks on this site talk about “I Feel Love” as if it’s the ceiling of the Sistine Chapel.
Wonder if they’ve noticed how repetitive it is, both melodically and lyrically?
The Modernist wrote:Davey the Fat Boy wrote:Folks on this site talk about “I Feel Love” as if it’s the ceiling of the Sistine Chapel.
Wonder if they’ve noticed how repetitive it is, both melodically and lyrically?
The synth modulations underneath the vocal melody gradually change. That's the whole point - that's what gives it that incredible transcendence.
Griff wrote:The notion that Jeremy Corbyn, a lifelong vocal proponent of antisemitism, would stand in front of an antisemitic mural and commend it is utterly preposterous.
Copehead wrote:a right wing cretin like Berger....bleating about racism
Darryl Strawberry wrote:Davey is right. We move in certain circles. I am amazed at what the people I work with don't know. (And they are with me, when they discuss something that's been on constant rotation on Radio One)
Davey the Fat Boy wrote:Dr. E. PLATE wrote:'Helpless' is one of the worst things I've ever heard by anybody.
Anyone who thinks Life on Mars is a better melody than Helpless knows nothing about melody.
Davey the Fat Boy wrote:jimboo wrote:Davey the Fat Boy wrote:
Of course there is. It’s just repetitive...which is a strength.
And right there, the whole ridiculousness of this stance , unravels.
Repetition can’t be a strength?
Goat Boy wrote:It’s a dance song that is supposed to induce a translike ecstasy so obviously it uses repetition with subtle modulations to do this.
Matt 'interesting' Wilson wrote:So I went from looking at the "I'm a Man" riff, to showing how the rave up was popular for awhile.
Footy wrote:
The Who / Jimi Hendrix Experience Saville Theatre, London Jan '67
. Got Jimi's autograph after the show and went on to see him several times that year
Davey the Fat Boy wrote:Goat Boy wrote:It’s a dance song that is supposed to induce a translike ecstasy so obviously it uses repetition with subtle modulations to do this.
And Helpless is a folk song with some gospel touches. It’s supposed to induce a feeling of fragility and transcendence. It uses repitition and subtle musical variations to do this.
Griff wrote:The notion that Jeremy Corbyn, a lifelong vocal proponent of antisemitism, would stand in front of an antisemitic mural and commend it is utterly preposterous.
Copehead wrote:a right wing cretin like Berger....bleating about racism
Griff wrote:The notion that Jeremy Corbyn, a lifelong vocal proponent of antisemitism, would stand in front of an antisemitic mural and commend it is utterly preposterous.
Copehead wrote:a right wing cretin like Berger....bleating about racism
Goat Boy wrote: The effect is soporific and I don't hear any variations that actually induce the transcendence you describe.
Davey the Fat Boy wrote::roll:
Yeah...Neil Young = Coldplay.